Simply put, wabi-sabi is the marriage of the Japanese wabi, meaning humble, and sabi, which connotes beauty in the natural progression of time. Together, the phrase invites us to set aside our pursuit of perfection and learn to appreciate the simple, unaffected beauty of things as they are. Wabi-sabi can be found in the deep cracks of a weathering pine table. It is flea markets, wildflowers, and cobblestones. Intimately tied to Zen Buddhism, wabi-sabi is an aesthetic that welcomes comfort and a subtle spiritual component into the home. It is not a decorating style, per se, but a mind-set. To create a true wabi-sabi environment, one must slowly strip away excess and learn to be satisfied living in the moment.
The Wabi-Sabi House recounts the rich history of this emerging trend in home design and reveals countless ways to introduce wabi-sabi elements into contemporary living spaces, including tips for gracefully decorating with salvaged materials and vintage furnishings, advice on how to rediscover the lost joy of hand-crafting household items (or supporting artisans who do), and simple solutions for clearing clutter and blocking noise (even with a spouse, kids, and no closet space).
But The Wabi-Sabi House is so much more than a handbook for interior design. With heart and a sense of humor, author Robyn Griggs Lawrence gently reminds us that there is a life in lifestyle books, and she encourages people from all walks of life to slow down and recognize beauty in what may seem ordinary.
Intimate, authoritative, and truly inspirational, The Wabi-Sabi House lays the foundation for transforming any home into a nurturing retreat from a hectic world.
Date Published 11/23/2004
Ratings
Rated By: Chelsea
From: Boulder, Colo.
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Comments: A new way of thinking about my home I've only started reading The Wabi-Sabi House by Robyn Griggs Lawrence, but I was immediately mesmerized by her chapter "Give Space a Chance," which explains why an uncluttered, simple approach to rooms is so comfortable and appealing. Already I've started pulling knickknacks and books off the shelves in our living room to create a quieter, more Zenlike atmosphere. And, I've reorganized my bedroom dresser (using Lawrence's suggestion to undertake just one small thing at a time so as not to be overwhelmed). Now my overflowing jewelry box has been augmented with a jewelry drawer that hides little trays that hold all my earrings so I can see them quickly and easily.
I'm sure the rest of the chapters in this book will inspire me to make other changes in my living and storage spaces so that my lovely home can become even more beautiful and sanctuary-like.
Rated By: Claudia P. Scott
From: Jacksonville Florida
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Comments: A wonderful book! I have told everyone I know to get this book as a starter to the world of Wabi-Sabi-- a beautiful cover also makes it lovely to look at and I like the sepia pages... I have re-examined my life using some of her practical tips. Get it if you are curious about this art of imperfection...
Rated By: Victoria Brogdon "omega gray"
From: Erie, PA
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Comments: A good organizational reference book There is so much beauty in simplicity. This book offers many helpful suggestions in how to simplify your decor and your life.
Rated By: L. H. Witherspoon "book-a-holic"
From: Unavailable
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Comments: Good ideas, somewhat elitist admit that I am not sure what to think of this book (and my revisions of this review reflect that).The author works for Interweave Press, whose magazines I purchased for many years, and I have to say that her genuine humility and open-ness shine through the book. The description, and the general idea, sounded wonderful: learn to simplify, appreciate what you have, embrace imperfection, etc. etc. But.....
The "imperfection" referred to here is not the reality that your table has coffee rings on it which you can't get out. It's the subtle irregularities found in really good hand-thrown pottery, for instance, or the slight wavery imperfections found in old glass.This is a huge, huge, difference. Be aware that this book talks mostly about very expensive ways to implement this philosophy, which comes out of Japanese feudal times, and was dictated by the tastes of their nobles. Since the emphasis is upon natural materials and hand-made articles, with mass-produced and mass marketed items frowned upon (however well made or designed), it's not a book for decorating from your favorite mass merchandiser. Note the bit about mass-marketing: wabi-sabi doesn't care if it's in good taste or well-designed. If it's not unique, it doesn'et want it. I fail to understand why good design becomes bad just because other people appreciate it. Nor is it really about appreciating what beauty there is in that couch that your sister passed on to you after it got given to her by someone who was going to throw it out.
And therein is the rub... wabi-sabi attracts those who, like myself, are on quite a budget. Alas, the standards it sets are very high. The author, who is herself on a budget, is free in admitting that she can't make the cut for her ideas of wabi-sabi, and a lot of the book is about her musings on how her own life doesn't meet these standards. There are real gems in here, but they are tned to float around in a sea of recommendations that left me feeling guilty about my home.
For instance, it gives as an example the author spending literally years with a duvet cover sewn from two sheets, until she could afford to pay a group of American quilters to spend three months hand-sewing a quilt. (One is temmpted to ask if the sheets were handwoven, and what about the duvet itself?) The author talks freely about how she does not like her vinyl flooring; during the remodel she did not have the money for the type of flooring she would have liked, and she had to have something to finish it up. It seems to me that something has gone rather wrong with a concept that is supposed to help people simplify and enjoy their lives, imperfections and all, when it leads to more guilt trips over meeting a standard that is just not obtainable by most of us.
The pity is that there are some wonderful concepts struggling to break free of a rigid identification with the tastes of an antique Japanese feudal system. The whole idea about wabi-sabi was for the Nobility of that time to use what was available to them from rustic local producers, instead of items imported from mainland China, which were more expensive, more "perfect", and more colorful. For them, this was simplification. What would be the equivalent for us nowadays? Ideas about quiet and perhaps pulling back on housekeeping perfectionism are worth looking at. Were we to really look at using what is appropriate to our lives (instead of tormenting ourselves because it was made by machine), we'd all do much better.
And I must say that the "inside confessions" of what it is like doing home photo shoots for a magazine (she has directed many) are definitely worth reading. I'm probably going to get a clothesline up (as soon as I can afford one) and knit some dishcloths from the cheap cotton yarn I have hanging around. (The author keeps mentioning knitted dishcloths, and I had never thought about it.) I don't know if it will be wabi-sabi. But it will be what I can do.
Rated By: I. Dodd
From: SoCal, USA
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Comments: How wabi sabi goes beyond the house I have read a handful of books dealing with the Japanese concept of wabi sabi (variously translated as "the art of imperfection" or "the beauty of the old and the new"), everything from Soetsu Yanagi to Leonard Koren. This book by Robyn Griggs Lawrence continues in the same vein of trying to put into words for a Western audience an amorphous and ambiguous idea, specifically as it applies to home decor.
For the most part the author gets it right. She gives the reader a little bit of historical background into the idea (its roots in Zen Buddhism and development from the tea ceremony) and then shows examples of how to put it into practice in a Western context. This is not a book about decorating your home in a neo-Japanese style, but rather how to make tangible a Japanese-originated aesthetic philosophy.
In some ways, she goes beyond the strict confines of home decor and discusses wabi sabi in other areas of life, which is appropriate because wabi sabi, as I unerstand it, is really a whole school of thought. In one chapter she delves into crafts, from knitting to woodworking to cooking. I found this interesting because I am a hobby woodworker/furniture maker who is slowly crafting most of the furniture my family lives with.
I realized, in reading this book, that wabi sabi is an aesthetic I have been reaching for in a number of areas without knowing until recently what it was called. For years I have been interested in a variety of topics, including Zen, environmentalism, the voluntary simplicity movement, modern design and architecture, and woodworking. Wabi sabi is the theme that ties these interests together. It is an approach to life, not just a decorating style or, worse, a magical, mystical belief in the power of red satin under your mattress and mirrors above your stove (`a la "feng shui", the popular Chinese-based belief in the flow of energy patterns in a building).
While mostly positive about this book, I do have a couple bones to pick. Griggs Lawrence is a big advocate of shopping in flea markets and antique stores, looking for the piece with just right wabi sabi patina of age and imperfection. Personally, I have no use for other people's old stuff. Just 'cause it's old, don't make it valuable. Why would I want to buy somebody else's history? To me, finding something that is fresh and new, innovative in the way it accomplishes a task, simple and engaging in its design, and gets incorporated into my daily routine is a better expression of wabi sabi than finding an old wash basin at a garage sale and using it as a fruit bowl.
Case in point: Griggs Lawrence has a predilection for a good cup of tea and even takes a swipe at Americans and their need for fancy cappuccino makers. Whoa there! Now she's hitting a little too close to home. My wife and I love a good cappuccino. Last Christmas I bought us what many might consider an extavagant Italian coffee machine. In actuality, it is quite simple (no fancy automatic controls), but it is built like the proverbial Sherman tank. I am quite sure it will survive decades of heavy daily use. After almost a year the gleaming stainless steel exterior has begun to mellow and it has become an integral part of our everyday life. Getting up at daybreak and going through the routine of making my wife a cappuccino with all the love and caring I can has become a sort of daily moving meditation for me. This coffee machine is just as much an expression of wabi sabi as the simple glass vase that displays a single flower sitting on the floating wooden shelf I made in the dining room.
All in all, though, if your are interested in the concept of wabi sabi this is a good book. If you are truly interested in wabi sabi as an aesthetic there are other books that will go deeper into roots of the idea. If you are interested in how the concept has been expressed by artists and craftsmen (perhaps without mentioning the phrase), there are books about that too. Most of these are listed in the excellent bibliography of the Griggs Lawrence book, one of the highlights of the book.
What is wabi-sabi?
